Installation, Ethelbert Cooper Gallery (now the Alain Locke Gallery), Harvard University (2023)
“We can’t think about hip-hop as the global cultural force it’s become without looking at its roots in bedrooms, clubs, and block parties. DAY ONE DNA refracts the history of hip hop through the lens of the early days of Ice T and his frequent collaborator and producer, DJ Afrika Islam. The hundreds of items in this exhibition—photos, vinyl, sneakers, clothing, and all sorts of ephemera—speak to the guerrilla work and play ethos that has given rise to the dominant cultural force of the last half-century.”
— Professor Henry Louis Gates Jr., Director, Hutchins Center for African & African American Research,
Harvard University
HIGHLIGHTS


Grand Master Flash, Kurtis Blow, Los Angeles, California
(c. 1990’s) Archival print, unknown

DJ Afrika Islam and the Rock Steady Crew
(c. 1980s); Archival print, unknown.

.jpeg)

Ice T, Evil E, Hoover Dam, Boulder City, Nevada
( c. 1980’s); Archival print, unknown

"On Saturdays, we watched Kung Fu Theater, we watched Soul Train and James Brown, and we created our dance style. Comics and cartoons influenced graffiti artists; this is the DNA of hip-hop"
- DJ Afrika Islam

.jpg)

King Boxer / Five Fingers of Death (1972); Film, Credit: Directed by Chung Chang-wha, Shaw Brothers Studio




Salt-N-Pepa, Los Angeles, California (c. 1980’s); Archival print, unknown
.jpeg)

“When I met Afrika Islam, he had the largest collection of records I’d ever seen…There were no hip-hop records at that time. The DJ played records from different genres. Once the DJ figured out how to only play the break, well then, of course, the kids danced, and they were called break dancers: they danced to the breaks of records.”
-Ice T












































Custom Tour Jackets, Wright Museum of Art, Beloit College (2024); photo by Christa Story





.jpeg)


EXHIBITION
AT A GLANCE
Title
DAY ONE DNA, from the private collection of Ice T & DJ Afrika Islam
Curator
Laylah Amatullah Barrayn
Developed & Executive Produced by
Khemiya
Originating Institution
Alain Locke Gallery (formerly the Ethelbert Cooper Gallery)
Hutchins Center for African & African American Research, Harvard University
Artists / Archive
Ice T, DJ Afrika Islam Private Collection
Scope
A large-scale, immersive multimedia exhibition featuring more than 400 archival items, including rare photographs, ephemera, audio-visual materials, large-scale wall-based works, and rare out-of-print publications. Through immersive installations, the exhibition explores the creative DNA of two hip-hop icons and the cultural movement they helped shape.
Mediums
Photography, audio, video, installation, archival materials
Premiere
November 3, 2023 – May 2024
HISTORY

L to R - Prof. Henry Louis Gates Jr., DJ Afrika Islam, Laylah Amatullah Barrayn, Ice T. Photograph by Anthony Artis
DAY ONE DNA premiered at the Ethelbert Cooper Gallery (now the Alain Locke Gallery) within the Hutchins Center for African & African American Research at Harvard University, a leading research center dedicated to advancing scholarship and public understanding of the history, culture, and global experiences of people of African descent.
The exhibition opened on November 3, 2023, under the title Day One DNA: 50 Years in Hip Hop Culture, from the Private Collection of Ice T & DJ Afrika Islam. Developed and executive produced by Khemiya, DAY ONE DNA emerged from a three-year engagement with the Umar family, DJ Afrika Islam, and the late Professor Marcyliena H. Morgan, founding director of the Hip Hop Archive & Research Institute at Harvard University.
Professor Henry Louis Gates Jr., Director of the Hutchins Center and one of the foremost scholars in African American studies, invited award-winning photographer and curator Laylah Amatullah Barrayn to curate DAY ONE DNA. Ice T and DJ Afrika Islam granted Barrayn unprecedented access to their private collection, from which she curated the exhibition, marking the first public presentation of the archive as a cohesive historical and cultural narrative.

Photo by Melissa Blackall
PROFESSOR HENRY LOUIS GATES , JR.
Director of the Hutchins Center for African & African American Research at Harvard University Henry Louis Gates, Jr. is the Alphonse Fletcher University Professor and Director of the Hutchins Center for African & African American Research at Harvard University. Emmy, DuPont, and Peabody Award-winning filmmaker, literary scholar, cultural critic, and institution builder, Professor Gates has published numerous books and produced and hosted an array of documentary films, including The Black Church (PBS), Frederick Douglass: In Five Speeches (HBO), Gospel (PBS), and Great Migrations (PBS). Finding Your Roots, Gates’s groundbreaking genealogy and genetics series, now in its eleventh season on PBS, was nominated for a Primetime Emmy (2024). His latest book is The Black Box: Writing the Race (Penguin Random House, 2024), named by The New York Sunday Times Book Review as one the “100 Best Books of the Year.” He is at work on a new series exploring “The History of Blacks and Jews.” Gates is a recipient of numerous honorary degrees, including most recently, one from his graduate alma mater, the University of Cambridge, and The London School of Economics. Gates was a member of the first class awarded “genius grants” by the MacArthur Foundation in 1981, and in 1998 he became the first African American scholar to be awarded the National Humanities Medal, conferred by President William Jefferson Clinton. In 2001 he discovered the first novel written by a Black female author, The Bondwoman’s Narrative, by Hannah Craft, the holograph manuscript of which he donated to Yale’s Beinecke Rare Book Library. A native of Piedmont, West Virginia, Gates earned his B.A. in History, summa cum laude, from Yale University in 1973, and his M.A. and Ph.D. in English Language and Literature from Clare College, Cambridge, in 1979, where he is an Honorary Fellow. A former chair of the Pulitzer Prize board, he is a member of the American Academy of Arts and Letters and serves on a wide array of boards, including the New York Public Library, the NAACP Legal Defense Fund, the Aspen Institute, the Whitney Museum of American Art, Library of America, and The Studio Museum of Harlem. In 2011, his portrait, by Yuqi Wang, was hung in the National Portrait Gallery in Washington, D.C. In 2023, his portrait, by Kerry James Marshall, was hung at the Fitzwilliam Museum at The University of Cambridge. He was inducted into the Phi Beta Kappa honor society in his junior year. In July 2024, he was awarded the prestigious Spingarn Medal from the NAACP. In December 2024, he was awarded The Barry Prize and was elected an Honorary Fellow by the Royal Academy of Arts in England. In February 2025, he was awarded the Vilcek Prize for Excellence in Literary Scholarship.

Photo Courtesy of Harvard University
PROFESSOR MARCYLIENA MORGAN
Founding Director of the Marcyliena H. Morgan Hip Hop Archive & Research Institute "We mourn the passing of Marcyliena H. Morgan, the founding director of the Hip Hop Archive & Research Institute. After a long illness, she is at peace. Hopi Hoekstra, the Dean of the Faculty of Arts & Sciences, enthusiastically approved the renaming of the Hip Hop Archive as the Marcyliena H. Morgan Hip Hop Archive & Research Institute, ensuring that her historical legacy will live on at Harvard for all time. The Ernest E. Monrad Professor Emerita of the Social Sciences and Professor of African and African American Studies at Harvard, Professor Morgan created the world’s first, largest, and best archive to record the ongoing cultural phenomenon of Hip Hop music, art, and culture. The Hutchins Center is committed to carrying on the study of this most vital and global of art forms in her name. In so many ways Marcy Morgan was the heart and soul of the Hutchins Center and AAAS communities here at Harvard, and she will be deeply missed. Our thoughts at this time are with her beloved husband, Professor Lawrence Bobo, her family, and all who loved her.
ADVISORS

Crazy Legs
Crazy Legs is a founding member and the current President of the Rock Steady Crew, and is widely recognized as one of the pioneers of the dance style known as breakin’. He has served as an advisor to the International Olympic Committee and was a judge for the breakin’ competition at the 2024 Paris Olympic Games. Throughout his career, he has appeared in several influential hip-hop films and documentaries, including Wild Style (1982), Flashdance (1983), Style Wars (PBS, 1983), and Beat Street (1984).

Grand Wizzard Theodore
Grand Wizzard Theodore is an American hip-hop DJ widely recognized as the inventor of the scratching technique. Beyond pioneering scratching, he earned acclaim for mastering needle drops and for developing and refining additional turntable techniques that became foundational elements of DJ culture.

Mr. Wave
Mr. Wave was a member of the New York City Breakers. With the NYC Breakers, he appeared in the hip-hop film classic Beat Street, helping to showcase breaking to a global audience. Throughout his career, he and the group performed on countless stages around the world. Mr. Wave has traveled internationally, sharing his distinctive dance style with diverse audiences—including kings, queens, and Presidents of the United States.

DJ Yutaka
DJ Yutaka is widely regarded as one of Japan’s most legendary DJs. He contributed to the design of the Vestax DJ mixer and the Pioneer CDJ, helping shape modern DJ technology. After building a strong reputation in Japan’s disco and club scene, he moved to the United States in 1989, becoming the first Asian hip-hop DJ to establish a presence there. He became a member of Ice T’s Rhyme Syndicate and joined the Japanese chapter of the Universal Zulu Nation, further cementing his influence in global hip-hop culture.

MC Sha-Rock
MC Sha-Rock is widely recognized as the first female rapper and is often called the “Mother of the Mic.” On February 14, 1981, she and her group, Funky 4 + 1, made history as the first hip-hop act to perform on national television. During that same appearance on Saturday Night Live—hosted by Debbie Harry of the iconic rock band Blondie—MC Sha-Rock also became the first female rapper to perform on national TV.

Tony Crush
DJ Tony Tone, also known as Tony Crush, is a founding member of the Cold Crush Brothers and is regarded as a pioneering force and founding father of hip-hop culture. His legacy has been recognized by the Smithsonian Institution, the Universal Hip Hop Museum, and Cornell University. He also appeared in the groundbreaking hip-hop film Wild Style (1982), widely considered the first hip-hop movie.

Egyptian Lover
The Egyptian Lover began his career as a DJ with Uncle Jamm’s Army in Los Angeles. In 1982, he started recording music as a member of both the Radio Crew and Uncle Jamm’s Army. Members of Uncle Jamm's Army and the World Class Wreckin' Cru, including Dr. Dre, The Unknown DJ, Egyptian Lover, Ice T, and Kid Frost, would later help define the early West Coast Hip-Hop sound throughout the 1980s.

Melle Mel & Scorpio
Grandmaster Flash and the Furious Five members Melle Mel and Scorpio helped create landmark tracks like "The Message" and "White Lines (Don’t Don’t Do It)". Melle Mel was the first artist to popularize the term “MC” and served as the group’s lead vocalist and principal songwriter. The 1982 chart-topping song "Scorpio" was named after band member Scorpio and is considered a foundational early electro-hip-hop track. Through their innovative use of turntablism, breakbeat DJing, and socially conscious lyricism, the group played a pivotal role in shaping the early evolution of hip-hop music.

Treach
Treach was the frontman of Grammy Award-winning group Naughty by Nature, the hip-hop trio founded by Queen Latifah and celebrated for hits like "Hip Hop Hooray" and "O.P.P." He also worked with Tupac on the track "5 Deadly Venomz" and appeared in the videos for "So Many Tears" and "Temptations". Beyond music, Treach built a lengthy acting résumé with roles in several television series, including CSI: Crime Scene Investigation, Person of Interest, and Blue Bloods, along with appearances in several films, including Juice, The Meteor Man, Jason’s Lyric, and Love and a Bullet.
CREDITS
DAY ONE DNA
FROM THE PRIVATE COLLECTION OF ICE T & DJ AFRIKA ISLAM
Originated in collaboration with the Hutchins Center for African & African American Research, Harvard University.
Collection Courtesy of the Ice T & DJ Afrika Islam Private Collection.
Founded, Developed & Executive Produced
by Khemiya
Exhibition Development
-
Laylah Amatullah Barrayn — Curator
-
Alaudeen Umar — Lead Brand Designer
Digital Experience
-
Malika Umar — Social Media Manager
-
Uswaa Sabree — Social Media Manager
-
Hasanah Sabree — Social Media Manager
-
Nur Design Co. / HT Website Designs — Web design
Advisors
-
Crazy Legs
-
Tony Crush
-
DJ Yutaka
-
Egyptian Lover
-
Grand Wizzard Theodore
-
MC Sha-Rock
-
Melle Mel
-
Scorpio
-
Mr. Wave
-
Treach
Fine Arts Logistics Partner
Codogan Tate
Acknowledgments
With gratitude to:
Professor Henry Louis Gates Jr.
Director, Hutchins Center for African & African American Research, Harvard University
Professor Marcyliena H. Morgan
Founder, Marcyliena H. Morgan Hip Hop Archive & Research Institute, Harvard University
Foundational Support & Contributors
We acknowledge the individuals and organizations whose early support and collaboration helped bring DAY ONE DNA into being.
-
Amatusami Karim-Ali
-
Anthony Artis
-
ARX Pictures
-
DDC International
-
Digital Silver Imaging
-
E.F. Thomas
-
Jack Gordon
-
Jean-Alexander Ntivyihabwa
-
Jennifer Maytorena Taylor
-
L.A. Security Storage Inc.
-
Nayyirah A. Sabree
-
Sally Jo Fifer
-
Sophie Bramly
-
The Umar Family
-03.png)




















